The Gear
While gear is not the end all be all. It sure does help a cinematographer and production company to have the right tools for the job.
When booking with us, we will go through the needs of your project and help you determine which option/options are the best to complete your vision.
1 \ Red Raven 4.5k
State of the art tech, providing an industry standard result in the commercial/corporate and narrative world
The RAVEN offers you the choice of recording 4.5K, Full Format video at up to 120 fps, or for higher-speed shots, 2K Full Format at up to 240 fps. Recording codecs include the proprietary REDCODE RAW (R3D), Apple ProRes, and Avid DNxHD. Options include recording proxy files only, or capturing in REDCODE RAW (R3D) and Apple ProRes simultaneously.
2 \ ZCAM S6
High-definition cinema footage with the Z CAM E2-S6 Super 35 6K Cinema Camera
E2-S6 Professional Super 35mm 6K Cinema Camera, with 14 stops of dynamic range and shooting 6K at up to 48fps. The S6 can shoot up to 120 fps in full HD, but for 6K it maxes out at 75ps.
3 \ SONY A7SIII
Ultimate performance versatility in a compact body.
With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p 2, fast and dependable autofocusing, and extra-strong image stabilization, the α7S III again raises the bar for film makers.